Ranke Rebind

I found this book in the Ranke collection, in Special Collections at Syracuse University. Both joints were broken and the boards loose. The leather was missing at the corners and what remained appeared to be only the flesh side. 

 

 

I soaked the front board in a warm water bath to float off the original book plates. While that soaked, I scraped the old leather off the spine with a cobbler's knife. I covered the spine with methyl cellulose to remove excess glue or linings. Then I lined the spine with Japanese tissue and linen, and added new end bands and end papers.
I cut new boards, and sanded them down to fit against the shoulder. I attached them to the text block with the linen lining. Then I cut a new piece of leather for the spine, and parred the edges. I attached this leather to the spine with paste, as a tight back. After gluing down the turn-ins, I constructed head caps and pressed the book overnight.
Once the new leather was set, I trimmed what overlapped onto the boards and then infilled the board with 10 pt. Next, I covered the board with paste paper, overlapping slightly on the leather. When the paste paper was dry, I trimmed the turn-ins and infilled the inside of the boards. Finally, I glued down the end papers and reattached the original book plates with paste. This was the end result.

The Bone Folder

The Bone Folder is a recorded conversation between a bibliophile and master book binder from 1920"s Germany. My book binding instructor translated the text from it's original German, and gave me a copy for binding. I chose to covering it in a paper case because the text block was small, and this binding style is briefly discussed in the text.

The text block was sewn with two pieces of card for end sheets. The paste paper is folded around the card for support. This is an adhesive free binding, so the paper could be easily removed and the text block rebound if desired. If the cover was folded out, this is how the book would look.

The Thread That Binds - Design Binding

For The Bone Folder's 2010 Bind-o-rama, the text block chosen was The Thread That Binds. I worked on this design in my book binding class. I decided to sew the text block on raised cords. The signatures were very thick, so I decorated the edge with speckled blue acrylic. The leather I had to work with was a thick, gray, morocco grain. For a color scheme, I decided to go with gray and blue. I sewed the text block with blue thread (so it would show on the exposed cords), and sewed blue and gray end bands. For the boards, I glued pieces of mat board together. This provided me with the thickness I needed to match the leather, and was easily shaped by sanding. (I had to angle the boards to be thinner at the spine, so that book could open easily). I attached these boards to the text block by fraying and pasting out the cord on them.
I pared the leather and cut away the middle with a circle cutter. I also attached this with paste, leaving extra material out at the turn in to construct the head/tail cap. Then I infilled the covers, glued down the paste papers and trimmed the turn ins. For the joint, I pared two strips of the same leather thin and pasted them down, overlapping slighting on the text block and on to the board. When those dried, I rubbed them down flush with a bone folder at the spine, then infilled the boards and cut sheets of gray Roma for the end papers. The board sheet was glued down directly on the covers. The fly sheet however, was glued onto the text block using just a thin bead of PVA along the spine and fore-edge. Finally, I painted the exposed area of the spine to match the paste paper.